Edited all 10 episodes of Season 2 of Busy Philipps award winning late night talk show, “Busy This Week”

Honor Society was a coming-of-age comedy film released on Paramount+ in 2022.

Top: On-air trailer

Bottom: Social content

I spent 2 years as an editor/producer on Best Week Ever, a weekly show that featured comedians analyzing the previous week's developments in pop culture, including recent happenings in entertainment and celebrity gossip.

These segments highlight some of the intricate graphic work, motion tracking and keying that was core to the series brand.

Trailer I cut for the upcoming film Daisy, debuting in festivals in 2025.

Producer/Editor on over 200 episodes of the hit A&E series, LivePD: Rewind

World's Dumbest was a reality comedy television series that aired on truTV from 2008 to 2014.

Here is a segment that showcases some of the fun and unique graphics that I built for the series, plus detailed sound design.

Super Bowl LVIII: Live from Bikini Bottom, the first ever simulcast of the Super Bowl on Nickelodeon incorporated SpongeBob SquarePants-themed augmented reality effects and features and live appearances by characters from the series (such as "analysts" SpongeBob SquarePants and Patrick Star, along with "sideline reporter" Sandy Cheeks).

This video is a compilation of a variety of marketing and in-game content I helped to create and edit for the broadcast.

Hosted by former *NSYNC member Joey Fatone, three chef-testants must battle it out as they recreate and innovate America’s iconic snack foods.

Here is a segment from one of the episodes I cut.

I was lead editor on the yearlong (and award-winning) multi-platform SpongeBob SquarePants 20th anniversary campaign.

Top: Social video featuring scene re-enactments and BTS footage, with over 60 million views to date.

Middle: TV spot created in partnership with Dish Network.

Bottom: TV spot created in partnership with Cox Cable.

In January 2023, Nickelodeon announced a sequel film to Zoey 101, 15 years after the series concluded its run on the network. The film was the third most watched on Paramount+ in the U.S. and the second most watched in Canada one day after its release.

This video is a fun example of some of the BTS work and social content we created to help promote the film.

My Nickelodeon and VH1 careers collided in 2018 with I Love SpongeBob which was a programming event based on the hit VH1 series I spent years working on, I Love the '80s.

During the event, packaging spots aired in between new episodes where celebrity guests revealed their love for SpongeBob SquarePants.

If you've ever wondered what it would be like to hear Squidward rap, I suggest watching below.

Promo spots for the season 2 premiere of I Am Frankie, featuring intricate audio work and graphics. (2018)

I was the lead editor on SpongeBob 25, a worldwide event to celebrate the 25th anniversary of SpongeBob SquarePants.

The first two spots ("Kelpline") featured live-action kids who found themselves in some unfortunate predicaments and in need of some sea-level advice from SpongeBob. Working hand-in-hand with the graphics department, we were able to bring Bikini Bottom up to the surface to create the Best Day Ever.

The final spot featured clips from all across the SpongeBob universe to promote the 25th anniversary and the availability of the content on Paramount+.

Trailer for series premiere (2019)

As the lead editor on the first ever internal Broadway marketing campaign, I helped conceptualize a strategy that would bring Nickelodeon’s “Kid-stinctual” belief system to a broadway audience.

I was the lead editor on the The Casagrandes launch in 2019. Below are two trailers that I cut for the launch, along with The Loud House / Casagrandes combo spot that promoted both shows.

Edited/Produced a full 30-minute special by animating pre-built character assets, produced fully remotely during the pandemic.

This is a segment of the episode that showcases all the various elements that I combined to create the show.

The special episode premiere of SpongeBob: Lost in Bikini Bottom was one of the first projects given to me when I came on board to Nickelodeon in 2016.

The spots below that I created won the 2016 CYNOPSIS KIDS !MAGINATION AWARD for Marketing/Advertising Campaign for a TV Special, Movie or Series.

Top: Launch trailer for Rise of the Teenage Mutant Ninja Turtles, featured at San Diego Comic-Con 2018.

Bottom: TV ad for launch of Rise of the Teenage Mutant Ninja Turtles, in partnership with Dish Network (2018)

The Loud House is an animated television series that premiered on Nickelodeon in 2016. I was lead editor on the launch campaign that helped propel the series into high ratings, becoming the top-rated children's animated series on television within its first month on the air.

The first video below is the launch trailer, and the second video is a promo I cut to sync to a custom song that was written for the campaign.

When SpongeBob SquarePants creator Stephen Hillenburg passed away in 2018, I was honored to edit this video as an on-air tribute.

The New Year's Eve Loud House Party was both a marathon of episodes and an event in which kids could play along using the Nickelodeon Screens Up app.

I edited these videos to promote the marathon and teach kids how to play along on the app.

If you've gotten this far, you're in for a treat.

In a whirlwind of a day, this video was conceived and edited as a parody of Hotline Bling.